Atlas Shrugged: the Movie

Bob Aldemann
New American

Something is terribly wrong. The Dow has dropped below 4,000, gasoline (when available) costs $37.50 a gallon, the nation's infrastructure is deteriorating, businessmen are wearing sandwich boards asking for work. Government's response to the enervated economy is to impose even more regulations and forced wealth-redistribution on already-highly regulated business and industry. A gray palpable pall hangs over the land. Meanwhile, the nation's most productive citizens begin to disappear voluntarily, one by one. But why? The question is answered by another question as mysterious as the disappearances themselves: "Who is John Galt?"



The movie Atlas Shrugged: Part I, set in the year 2016 and adapted from Ayn Rand’s famous novel published in 1957, accomplishes much of what the author intended in her book: a beautiful, poignant, painful expression of the conflict between egalitarianism and the right to own private property. The story is well known, as the novel was noted recently by the Library of Congress “as the most influential book read in America,” right behind the Bible itself. Dagny Taggart (Taylor Schilling) owns a struggling railroad company that is being sabotaged by her brother; Hank Rearden (Grant Bowler) has developed a metal for railroad rails that is far superior to anything on the market; and their attempt to do business for their mutual benefit is being thwarted by all manner of government agencies and crony capitalists who see the threat to their own businesses if Dagny and Hank succeed.

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